Neither use it to effectively kill or even fight the creature. Neither Gaylen nor Sheriff Tashtego, who is also privy to this knowledge, shares it with the audience. At one point Gaylen is possessed by one of the Creeper’s severed hands (it can regenerate lost body parts by eating new ones), which, she insists, tells her everything about what it is and where it came from. Among them are Sheriff Tashtego (Stan Shaw), Sergeant Tubbs (Brandon Smith) and Gaylen Brandon (Meg Foster), whose son was killed by the Creeper in the first film and whose granddaughter, Addison (Gabrielle Haugh), might very well be next. Set between the events of the first film and it’s much loved (though not by me) sequel, Jeepers Creepers 3 divides time between the exploits of the Creeper and a ragtag group of anti-Creeper hunters who’ve all been affected in some way by the monster’s last feeding frenzy. Which is just as well, really, as Salva’s art – at least in this case – is so terrible that most people have had no problem avoiding it and declaring, loudly, that the man’s a kiddie-fiddler and should be treated as such.
and his work than they are that of, say, Roman Polanski, another child molester, despite the latter’s crimes being (legally speaking) more severe. People are more willing to denounce Louis C.K. ( He subsequently admitted it.) The comment suggested that our – that is, culture’s – tolerance for such accusations is dependent on the quality of the accused’s art. I read a comment the other day regarding I Love You, Daddy, the latest film of comedian Louis C.K., who was recently accused of masturbating in front of several women. Cut off the head and the body dies.īesides, Salva’s sexual deviance, and how he exists within a culture that often ignores and sometimes tacitly endorses abuse, is really the most interesting thing about his film. The only way to prevent Salva from enjoying the fruits of moviemaking – which it increasingly seems is the preferred art form of some of the worst people in the world – is to not support his movies. But it’s important that people know the story so that they can make their own decision about whether to boycott the work. What happened to separating the art from the artist?ĭon’t worry – my critique of the film (which is appalling) isn’t based on Salva being a nonce.
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